There are many audio workstation products available but few have the wealth of experience that is incorporated in Pyramix. There is a good reason why so many leading producers and engineers depend on Pyramix to record, edit and mix their productions. Where quality counts, Pyramix delivers more tracks of DSD and DXD than any other DAW, it offers superior editing and the highest track count, low latency mixer available. Native VS3 and VST plug-ins are there in abundance for postproduction, restoration and a multitude of audio effects.
Pyramix is the supreme mastering tool; able to accept almost any sample rate with the amazing HEPTA sample rate converter, stereo or multichannel mastering, simultaneous album publishing and the legendary sonic neutrality; it is small wonder that top mastering houses all over the world have been switching to Pyramix.
Reference mastering tool
Pyramix has rightfully earned its place as one of the only solutions for quality mastering for every format. The ability to process and deliver almost any file format, advanced album publishing features, Hepta SRC algorithm, full ISRC code editing, full CD/SACD authoring toolkits and Dolby Atmos® are just a few of the reasons why the world’s top mastering suites use Pyramix every day.
Mission critical recording and playback
Live recording of unique occasions can be a stressful business so it is reassuring to know that many of the leading location recording specialists use Pyramix. Major sporting events or one-off gigs have to be captured without loss and Pyramix has a host of features that ensure a quick result, as well as eliminating many of the risk factors associated with using DAWs on location. RAVENNA/AES67 connectivity makes back-up recording easy to set up and the high track count makes sure that all the sources can be managed.
Intuitive, state of the art classical music editing
Musicians demand perfection in their recorded performances, so the fact that the vast majority of concert halls and opera houses have Pyramix in-house tells a story. Countless Grammy Awards have gone to classical engineers and producers who demand the very best editing features. Take logging on the session is only one of the items that speeds up the process of assembling multiple takes, but source and destination editing, crossfade tools and a comprehensive DSD workflow makes Pyramix the only practical choice.
Ultra high count record/playback
Complex recording projects may require a lot of tracks to ensure that everything is captured perfectly. Higher sample rates reduce the number of tracks available but if you use Pyramix, you are ahead of the game. The performance of Pyramix Native is impressive but MassCore takes it far beyond the competition with 384 ins/outs at 1FS and 48 at DSD and DXD rates.
Ultra high resolution mixing/recording
There is no substitute for recording at the highest possible resolution. Even if the final delivery format is at a different rate, having a pristine recording for posterity should be the goal. Pyramix has been pushing the boundaries since the beginning. DSD has been one of the options since the earliest days of SACD and now the adoption of RAVENNA has made DSD256 a reality. DXD was jointly developed by Merging and Philips so we understand the technology. The best Sample Rate Converter in the business ensures that your recording will sound magnificent at whatever rate you want.
